Tuesday, 3 September 2013

What Maisie Knew (2012, Dirs. Scott McGehee, David Siegel, USA) (Cert: 15/R) ****


 
 

Starring: Onata Aprile, Alexander Skarsgård, Julianne Moore

 

Maisie (Aprille) lives with her rock-star mother (Moore) and her businessman father (Steve Coogan) in New York City. However, when their marriage ends, Maisie finds herself shuffled between homes and parents who are setting up new lives; her father marries Margo (Joanna Vanderham), her nanny, and her mother marries a man named Lincoln (Skarsgård). Torn between her two feuding parents, Maisie come to find comfort in her two new step-parents.

 

Based on the 1897 novel by Henry James, this film adpatation of What Maisie Knew modernises the story and what results is a largely very touching tale about divorce and the nature of love and responsibility. The film is largely told from the perspective of Maisie, played well by Onata Aprille, and as a result we get a great insight from the world of a small child. Arguments are often behind closed doors and when the tempers flare it can really sting when given from such a position as an innocent bystander. Steve Coogan and Julianne Moore give strong performances as the two largely unlikable but realistic parents. Coogan as a workaholic who often puts business before his child and Moore as a fierce manipulator who often uses Maisie in order to keep sole custody. Meanwhile, Alexander Skarsgård and Joanna Vanderham show a more compassionate element, contrasting the often ageing and wearying Coogan and Moore by both being more youthful, attractive and sweet (and also very, very blonde) in a visual contrast which is perhaps a little too blatant.

 

The obvious comparison for this film would be Kramer Vs. Kramer (1979) but What Maisie Knew has an identity all of its own and the performances are strong enough to push the film between being heart-wrenching and touching at different moments.

 

Next time, Chris Hemsworth and Daniel Brühel play Formula One rivals James Hunt and Niki Lauda in a sneak preview of Ron Howard's latest film, Rush.

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