Friday, 26 April 2013

Iron Man 3 (3D) (2013, Dir. Shane Black, USA/China) (Cert: 12a/PG-13) ***


Starring: Robert Downey Jr., Guy Pearce, Gwyneth Paltrow

At long last recognised as a hero both for his deeds on his own and as a part of a league of similar individuals known as The Avengers Initiative, Tony Stark (Downey Jr.) spends his free time developing the technology he uses to fight the force of evil, whilst also helping to develop similar technology for the government. However, Stark’s adventures are starting to catch up with him and when a mysterious terrorist simply known as ‘The Mandarin’ (Sir Ben Kingsley) shows up, weaponising a new form of experimental technology, Stark must struggle to overcome his personal demons.

 

As arguably the most popular facet of Marvel’s successful and far-reaching Avengers series of superheroes in film, Iron Man 3 has some rather steep expectations to live up to. Whilst the first Iron Man film released in 2008 was a great superhero film in its own right, its 2010 follow up, Iron Man 2 was, whilst not terrible, fairly unmemorable but the 2012 film, The Avengers (known as Avengers Assemble in the UK) redeemed the good qualities of Iron Man. As for this film, there are some definite flaws in the material with much of the plot being fairly predictable (especially a sub-plot involving an old flame of Stark’s) and the characters not feeling as original as they used to. Most notably Tony Stark, whose enjoyably dry humour has become a little diluted (a side-effect of him changing from cheeky anti-hero to a completely noble hero), whilst his artificial intelligence assistant, Jarvis (voiced by Paul Bettany) has become a largely C-3PO-esque creation whilst Andy Samberg makes an almost pointless early appearance in the film. However, the real bright spot in characters is The Mandarin who exudes an exoticism owing to the casting of Indian-British actor Sir Ben Kingsley (who has played roles ranging from Parsi-Indian Mahatma Gandhi in Gandhi (1981) to the Jewish-Polish Itzahk Stern in Schindler’s List (1993)). Though initially flat, a mid-story revelation about his character is a stroke of genius and makes him far more entertaining. The action sequences also thrill with some interesting ideas, even if they’re overdone in the film’s stretched finale and the visuals are equally impressive, whilst fortunately not pandering too much to the 3D presentation. Overall, this is no classic but has some moments of entertainment.  

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