Friday, 19 July 2013

The World’s End (2013, Dir. Edgar Wright, UK) (Cert: 15/R) ***



Starring: Simon Pegg, Nick Frost, Paddy Considine

 

On their final day of school, Gary (Thomas Law, Pegg), Andrew (Zachary Bailess, Frost), Steven (Considine, Jasper Levine), Oliver (Luke Bromley, Martin Freeman) and Peter (Eddie Marsan, James Tarpey) go on the Golden Mile, a route of twelve pubs culminating in the watering hole, The World's End. They never made it. Now middle-aged, Gary gathers the gang back together and back to their hometown of Newton Haven for another crack at the Golden Mile, only for the gang to discover that the town might have undergone some significant, and truly other-worldly, changes.

 

The third instalment in Edgar Wright’s Cornetto trilogy with comedy duo Simon Pegg and Nick Frost, following on from Shaun Of The Dead (2005) and Hot Fuzz (2007), The World’s End sees the group now as some of the hottest commodities in modern cinema and with heightened production values, The World’s End is a glossier production than what came before. Whilst the larger scale that this allows give the film a glossier sheen and pays off in certain circumstances, it also causes the film to lose some of the cuddly charm of the initial two instalments. Still, The World’s End is fairly faithful to what has come before, utilising various elements from the first two films. The pub showdowns recall Shaun Of The Dead and much like Hot Fuzz there’s a former James Bond providing a supporting role. It’s Simon Pegg who overall stands tall in this film; the character of Gary leaps and bounds through Newton Haven in a state of arrested adolescence making him both intentionally annoying and endearing but his cast of merry men also deliver, even if they have a tendency to fade towards the background. Nick Frost in particular achieves a rare serious performance that pays dividends. As concluding parts in trilogies go, The World’s End isn’t ideal, but it belongs in the realms of Return Of The Jedi (1983) and The Godfather: Part III (1990). It’s definitely the weakest of three instalments, but it’s still pretty good on its own merits.

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