Monday, 26 August 2013

Lovelace (2013, Dirs. Rob Epstein, Jeffrey Friedman, USA) (Cert: 18/R) ***



 

Starring: Amanda Seyfried, Peter Sarsgard, Sharon Stone

 

In the early 1970's, at the height of the Sexual Revolution, a film known as Deep Throat went beyond the obscurity of pornography and became a genuine mainstream hit, making a household name of its star, Linda Lovelace (Seyfried). However, beneath the surface, Lovelace lived a life of fear, abuse and violence under her controlling husband Chuck Traynor (Sarsgard).

 

The story of Linda Lovelace is a fascinating one that says just as much about the times and the environment in which she lived as it does about the woman herself. A starlet in porn with a very brief career (she only had major appearances in two films) who later became a vocal feminist and anti-pornography campaigner. Lovelace mostly deals with those couple of years of her life in the porn industry and handles them well, but the film's lack of insight into her earlier and especially her later life, mean that the film feels rather unfinished.

 

On a technical level, the film mostly does a good job capturing the period. There's archived footage of people of the era (the TV presents us with Walter Kronkite, Johnny Carson and Richard Nixon) although the music is a little dubious, occasionally delving into sons which sound far too modern stylistically, although this is only a minor problem. Seyfried suits the era perfectly on a visual level as well; stills shown in the film make her look eerily like a young Susan Sarandon at times and makes for a great performance, especially opposite her onscreen parents played by Sharon Stone and Robert Patrick. Peter Sarsard also does well, but falters slightly with the more emotional scenes.

 

Far from a film that glorifies pornography, Lovelace presents a dark and harrowing tale of exploitation which, even though some elements are only suspected to have genuinely occurred, there's at least some basis in fact, only for the reality to be supposedly worse still than what is shown here. The later years of Lovelace's life would be worthwhile as a film in their own right, but with the focused shifted so specifically in this film on the Deep Throat era, it works well enough even if it doesn't explore the subject's life as a whole as much as it should.

 

Next time, a family get-together becomes a fight for survival from masked killers in You're Next.

 

 

 

 

 

 

 

 

 

 

 

 

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